“Une musique intérieure (Conduct, Language, Voice, Inner Ears)” at Tabakalera, Donostia / San Sebastián
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The Exhibition “Une musique intérieure” questions our perform, our language, and our voice as one particular would the harmony of our inner ear as devices that stabilise our personal romantic relationship with the outdoors globe. The exhibition “Une musique intérieure” (Interior Songs) is the new framework for the score Solo – Nature Study Notes – 1969-2019 [Athens Version] created and executed in collaboration with Georgia Sagri, Delia Gonzalez and Serapis Maritime in early summer time 2021. This score was penned in Greece by working with freely out there improvisation rites (prose directions) working out the open up source basic principle of the 1960s English collective, The Scratch Orchestra. The define of the exhibition’s flooring program at the Incredibly hot Wheels gallery in Athens, exactly where this do the job was initially exhibited, is superimposed on to the Tabakalera house. In addition, the outfits intended by Serapis Maritime for the efficiency is printed with pictures from the Greek gallery and verbal guidance of the rites. Solo – Nature Review Notes – 1969-2019 [Athens Version] 2021 seeks to interrogate the connection in between the personal and the collective. The rating aims to assemble the activation of distinctive rites by means of the garments worn by a person person (a solo performer) who animates the guidance, thereby shifting the building of the social human body on to the somatic development of the person. On the other hand, the audience (a collective) is then put in absolutely free circulation around this activation so that the team is a lot more affected in its energetic listening or passive behaviour. The exhibition at Tabakalera calls on the scores of composers who had been pioneers in their awareness to contexts, these types of as Alvin Lucier (Chambers, 1968), Pauline Oliveros (Deep Listening, 1989), and Milan Adamčiak (Ground scores, 1967). As Erik Satie previously emphasised in his Musiques d’ameublement (Carrelage phonique, 1917), interiority is colonised by social procedures. It is the political amount of determinism and the instrumental character—in the double sense of musical instrument and instrument of manipulation— that artists, these types of as area artist Amable Arias or a new generation of artists these kinds of as Eva Barto, Mattin, Matthieu Saladin, and Cally Spooner, specify in this exhibition which is presented to the community as a chamber music concert.
— Pierre Bal-Blanc
Curated by Pierre Bal-Blanc, in discussion with Oier Etxeberria.
Taking part artists: Milan Adamčiak, Amable Arias, Eva Barto, Delia Gonzalez, Daniel Grúň, Alvin Lucier, Mattin, Pauline Oliveros, Georgia Sagri, Matthieu Saladin, Erik Satie, Scratch Orchestra, Serapis Maritime, Cally Spooner and Vier5.
At Tabakalera, Donostia / San Sebastián
until April 24, 2022
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